Brendan Keogh is a Brisbane-based critic, journalist, and academic. He recently received his PhD from RMIT University’s School of Media and Communication for a dissertation about the phenomenological and textual entwinings of players and videogames. He has written about the art, industry, and culture of videogames for a range of international outlets including Edge, Polygon, Kotaku, Unwinnable, The New Statesman, Ars Technica, and Overland Literary Journal. He is the author of Killings is Harmless: A Critical Reading of Spec Ops The Line.
This website serves as a hub for his various projects and presences around the web.
Cover image from Increpare’s Slave of God.