About

Brendan Keogh is a Brisbane-based critic, journalist, and academic. He recently received his PhD from RMIT University’s School of Media and Communication for a dissertation about the phenomenological and textual entwinings of players and videogames. He has written about the art, industry, and culture of videogames for a range of international outlets including EdgePolygon, KotakuUnwinnableThe New StatesmanArs Technica, and Overland Literary Journal. He is the author of Killings is Harmless: A Critical Reading of Spec Ops The Line.

This website serves as a hub for his various projects and presences around the web.

Cover image from Increpare’s Slave of God.

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